The Canon EF-S 35mm f/2.8 Macro IS STM is a solid, low-cost add-on for owners of APS-C Canon SLRs. The Canon EF 35mm f/2 IS USM ($599.99) is a lens that will appeal to owners of full-frame and APS-C SLRs alike. Here's the bad news. Canon photographers in need of a wide-angle prime lens should take a look at the EF 35mm f/2 IS USM—it's sharp, compact, and optically stabilized. My personal time is quite limited, so I’ll go ahead and warn you that this project will more than … Canon 35mm f/1.4 L and 35mm f/2 IS. Its f/2 maximum aperture will be more than enough for the majority of situations in day-to-day shooting, and its lightweight build marks it out as a genuine alternative to the 35mm f/1.4, rather than a cheaper but inferior version. The biggest help is when you use any of these links when you get anything, regardless of the country in which you live. Personally I own the fully professional 35/1.4 L is much, much better made, and much better in low light for action, where IS can't help you. When paired with a camera like the EOS 6D, it covers a classic wide-angle field of view. Fabric, close-up at f/8 at ISO 100, Canon 5D Mk III. You'll never see any flare or ghosts unless you put the full disc of the sun in your image and deliberately put something dark elsewhere to show anything, as I did here. And when used with a consumer-friendly SLR like the Rebel T6s ($849.99 at Office Depot® & OfficeMax®) , it covers a standard-angle field of view and serves as a fine complement to the kit lens bundled with entry-level bodies, especially for low-light shooting. If you wish to make a printout for personal use, you are granted one-time permission only if you PayPal me $5.00 per printout or part thereof. Autofocus is powered by an Ultrasonic motor, which moves lens elements quickly, resultin… For not much more than the price of this 35/2 IS today in January 2013, you get the fully professional Canon 35mm f/1.4 L instead. Attached to a Canon EOS 5D MKII it ranks 4 th overall and 2 nd for wide-angle primes, just behind the Sigma 35mm f/1.4 DG HSM A, which at a similar cost offers the same focal length, a wider f/1.4 maximum aperture but no Image Stabilization. The EF 35mm captures subjects at 1:4.2 at its closest focus distance, projecting them onto the image sensor at roughly one-quarter life size. Thanks! I can't vouch for anything if you buy from a local store or chain where you never really know who's opened and played with your lens before you buy it. Rounded to about f/4, octagonal from f/5.6~22. Image QualityI used Imatest to check the sharpness of the EF 35mm when paired with the 20-megapixel, full-frame Canon EOS 6D ($1,699.00 at Amazon) . 0.8 feet (0.24m), specified, from the image plane. When he’s not out with his camera, Jim enjoys watching bad and good television, playing video games (poorly), and reading. Its only vices are that it costs three times what the optically very similar previous EF 35mm f/2 costs, and isn't built any tougher. The footage scale should be marked in round numbers, like 2, 5 and 10 feet, instead! I bought mine directly from Adorama. Flare and Ghosts     performance      top. The Tamron SP 35mm f/1.8 Di VC USD ($599.00 at Amazon) is priced the same, focuses closer, and is just a bit stronger in its optical performance. Canon 35mm f/2 IS at f/2, EF diaphragm not visible. or other camera that uses lens profiles for correction, falloff is never visible at any setting. This Canon EF EOS 35mm f/2 IS works perfectly with every Canon EOS camera ever made, meaning every Canon DSLR and every Canon autofocus film camera made since 1987. This lens' optics are as good as the newest 35mm f/2 IS, with a little less distortion, fewer ghosts and better sunstars. The Canon 35/2 IS has a very small amount of spherochromatism at f/2: Background highlights may have slight green fringes, and foreground highlights may have slight magenta fringes at f/2. I recommend them all personally. If you would you pay twice as much as the perfectly good previous-model Canon 35mm f/2 just to get instant manual-focus override and Image Stabilization (IS), this lens is for you. Tous droits réservés. PCMag.com is a leading authority on technology, delivering Labs-based, independent reviews of the latest products and services. I support my growing family through this website, as crazy as it might seem. Canon EF 35mm f/2 IS USM: New features and better image quality too . All Canon lenses since 1987 have been EF. Optional EW-72 plastic bayonet, $50 extra. The Canon 35mm f/2 is optically superb and handles very well — except that you need to slide a switch to get to and from manual focus. The color balance of this 35mm f/2 IS seems the same as my other Canon EF lenses. All rights reserved. The video review of the Canon EF 35mm f/2 IS USM lens. You have to let the AF system focus for you at infinity. enlarge. It's compact, sharp, and optically stabilized. Spherochromatism is a completely different aberration from lateral color fringes. Compared to the previous model Canon 35mm f/2 (1990-), this new IS lens adds image stabilization and instant manual-focus override: just grab the focus ring at any time. The lens balances well on the Canon EOS 6D used for testing, making a reasonably compact and lightweight combination. Canon 24-70/2.8 L II, 35mm f/1.4 L, 35mm f/2 IS and 35mm f/2. page as helpful as a book you might have had to buy or a workshop you may Of course we decided to check it out very thoroughly anyway. Performance is more even at f/4 and f/5.6—2,915 averaged across the frame, with edges that are just shy of 2,800 lines. Starting in 1950 Canon released the Serenar 35 f/3.5 lens and iterated on this lens all the way thought 1970’s. Narrowing the aperture to f/2.8 improves the overall score to 2,840 lines, and also sharpens the edges to 2,389 lines. Hopefully my review will let you determine if it's worth it — to you. With its octagonal diaphragm, this Canon 35mm f/2 IS makes 8-pointed sunstars on brilliant points of light. That's better than the 1,800 lines we look for in an image. Falloff (darkened corners)     performance      top. The closest focusing distance is 13cm, while the maximum magnification ratio is 1.0x. On 1.6x Canon cameras it will see angles-of-view similar to what a 55mm lens would see on a 35mm camera, which is actually a very useful zoom range. - Canon 40 f/2.8, a tiny pancake, and not much tighter than 35mm, very cheap as well, $150, it is incredibly sharp as well, but f/2.8 is the same as your kit lens. Optics and IS work extremely well, but is it worth triple the price of the earlier 35mm f/2? The EF 35mm f/2 IS USM is another strong lens in the Canon portfolio. The Canon 35mm f/2 IS is optically superb and handles very well. One glance at the YN 35 mm f/2.0 and you know that there might be even more differences between that device and the Canon EF 35 mm f/2.0. 5D Mk III peripheral illumination control disabled (same results on film): © 2012 KenRockwell.com. Some summer intern was tasked with creating the green footage scale who ignorantly converted the 0.7 and 2 meter markings to feet, marking the scale at 2.3 feet and 6.5 feet. If you find this Two toggle switches—one to change the focus mode and one to enable or disable image stabilization—sit on the left side. In other words, each crop shows about one-fifth of the image horizontally, and about one-third vertically. The lens barrel is made from a tough composite plastic material with a textured finish, and the manual focus ring, which sits just behind the front element, is covered in rubber. For the still subjects I shoot, it's almost instantaneous. Before proceeding, let’s first deal with Canon’s existing macro prime lens for the EF-S (APS-C/crop sensor) lens mount (which includes the Rebel/xxD/Kiss line, the XXD line [60/70/80D], and even the 7D series). You may unsubscribe from the newsletters at any time. The closest you'll find to this on the Nikon side of the fence, the AF-S Nikkor 35mm F1.8G ($547.09 at Amazon) , focuses to 9.8 inches. Often called the "photojournalists' favorite" focal length, 35mm is an ideal standard for candid, street and medium-distance portrait photography. This is only about as good as the previous 35mm f/2 and 35mm f/1.4 L at the same apertures. Corners show a -3EV drop and sides are 1.5 stops dimmer than the center. It measures 2.5 by 3.1 inches (HD), weighs just 11.8 ounces, and supports 67mm front filters. See also Compared to other Canon 35mm lenses. Rear focus: nothing moves externally as autofocused. It's a solid performer, but falls just shy of earning an Editors' Choice recommendation.
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